Publications récentes

Composing for the State : Musical Cultures of the Twentieth Century Dictatorships

Composing for the State : Musical Cultures of the Twentieth Century Dictatorships

Esteban Buch, Igor Contreras Zubillaga, Manuel Deniz Silva (ed.)
Abingdon,  Ashgate, 2016,  224 p.
Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide 'music for the people', to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about 'State music'? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes.

ISBN : 9781472437495
Fiche éditeur : https://www.routledge.com/products/9781472437495

Pour citer ce document

, «Composing for the State : Musical Cultures of the Twentieth Century Dictatorships», cral [En ligne], Publications récentes, mis à jour le : 14/03/2016
, URL : http://cral.ehess.fr/index.php?2053.
EHESS
CNRS

flux rss  Actualités

Pascal Quignard. L’écriture et sa spéculation

Colloque - Jeudi 07 décembre 2017 - 09:30Le colloque "Pascal Quignard. L’écriture et sa spéculation" est organisé par le Collège international de philosophie (CIPh) en collaboration avec le CRAL (Unité mixte CNRS/EHESS), l’Université Paris 8, l’Université Paris Lumières, avec le soutien de la Ma (...)(...)

Lire la suite

Politique, vérité et démocratie

Colloque - Lundi 20 novembre 2017 - 10:00Cet atelier est organisé dans le cadre du programme exploratoire PSL « Epistémologie sociale » et fait suite à celui sur la « Connaissance externalisée et épistémologie digitale » qui s'est tenu le 16 octobre dernier.  PROGRAMME 10h-11h - Claudine Tiercel (...)(...)

Lire la suite

Linguistique et écrit, 4

Journée(s) d'étude - Mercredi 22 novembre 2017 - 09:00Cette journée réunit linguistes et historiens à propos des constructions argumentatives et de leur rôle. Comment représenter les constructions qui sont explicatives sans être causales ? Un mot du lexique peut-il structurer tout un texte ? Dan (...)(...)

Lire la suite

Plus d'actualités

CRAL
96, bd Raspail - 75006 Paris
Tél. : +33 (0)1 53 63 56 23
Fax : +33 (0)1 53 63 56 21
cral@ehess.fr

Page Facebook

Chaîne YouTube